La Complainte de Badinguet by André Gill (1870): translation and exhibition

A new exhibition of a selection of facsimiles of Cambridge University Library’s collection of 1870-71 caricatures is opening on 12 February at the Seeley Library (History faculty). This accompanies an ongoing translation project. This year, Geordie Cheetham worked on the translation and commentary of the song “La Complainte de Badinguet” (Badinguet’s Lament, CUL, KF.3.9, p. 162), published in Paris c. 1870 and attributed to the caricaturist, painter and song-writer André Gill (1840-1885).

This satirical piece imagines the (by that point former) French Emperor Napoleon III writing a lament following his defeat and capture in the Franco-Prussian war (1870-71). He was nicknamed ‘Badinguet’ after the name of a worker who helped him escape from prison following an attempted coup in 1846. The image shows the demoted emperor playing a barrel organ inscribed “Sedan” and his son Louis-Napoléon Bonaparte picking his nose and making a collection, accompanied by a skeletal eagle. Continue reading “La Complainte de Badinguet by André Gill (1870): translation and exhibition”

“Chameleonic games” in the 1870-71 caricatures collections  

If over the recent holidays you have been roped into playing party games, which ones would you have encountered in 1870-71? Among the latest paper cut-out games and board games, fully engaging with contemporary historical and political events, Parisians of the time could have tackled the two “Jeux caméléoniens”, or Chameleonic Games by Louis-Valentin-Émile de La Tremblais, a painter and draughtsman probably of aristocratic origin.

Louis-Valentin-Emile de La Tremblais, Jeu caméléonien [Second French Empire] (recto), lithograph, [1871], Paris, Musée Carnavalet, G.47384.
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Frederick Justen and ‘Il Gallo di Alfredo il Piccolo’: An intriguing Italian print in Cambridge UL’s 1870-71 collection

Frederick Justen (1832-1906), working at Soho-based Dulau & Co. booksellers, produced different sets of caricatures from the Franco-Prussian and the Commune (1870-71), including some at Cambridge University Library, at the British Library and Heidelberg University Library. A close inspection of one of the prints in the sixth and final volume of Cambridge University Library’s 1870/71 caricatures (KF.3.9-14) shows the challenges raised by the identification of the subjects of the caricatures and suggests that Justen updated the collection as late as October 1878. Digitised in late 2020 and the subject of an online display, some of these prints are currently exhibited in the Modern and Medieval Languages and Linguistics Library. One of the particularly interesting facets of this collection is the existence of similar sets, all produced by Justen. Despite sharing the same red binding, title page and 1872 article from the Atheneum advertising the sets, the various Justen collections are not identical. This diversity provides ample room for investigation, and one entry point is the case of an Italian print in Cambridge’s sixth volume entitled ‘Il Gallo di Alfredo il Piccolo’, which appears to have been printed much later than any other print found in this compilation.

Il Gallo di Alfredo il Piccolo‘, Cambridge UL, KF.3.14, p. 148

Continue reading “Frederick Justen and ‘Il Gallo di Alfredo il Piccolo’: An intriguing Italian print in Cambridge UL’s 1870-71 collection”

A new exhibition of 1870-71 caricatures at Cambridge Modern and Medieval Languages and Linguistics library 

A few weeks ago, we opened a new exhibition in the Modern and Medieval Languages and Linguistics library, relating to a collection of 1870-71 caricatures held in the University Library. This project was highly collaborative, involving librarians, academic staff and students. It followed an exhibition held at the UL last year and started with translations of the text and legends of French caricatures into English.

Poster for the MMLL caricatures exhibition

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Frederick Justen and L’Eclipse: the early 20th c. donation of 1870-71 Franco-Prussian caricatures and satirical magazines to Cambridge UL

Six large volumes of around 1100 caricatures of 1870-71 (KF.3.9-14), digitised by Cambridge Digital Content Unit, with funding by Cambridge Digital Humanities, have just been made available on our Digital Library. This digitisation was enabled through a research project coinciding with the 150th anniversary of the Franco-Prussian war and focusing on collections of French and German caricatures produced at the time which were brought to the UK shortly afterwards. While beginning to investigate the 1870-71 caricatures collection, I wondered about the role and evidence for the contribution of the bookseller Frederick Justen (1832-1906), who we know played a key role in assembling and bringing to the UK several collections of 1870-71 caricatures (see the articles by Daniels, 2005 and Müller, 2011-12).

Continue reading “Frederick Justen and L’Eclipse: the early 20th c. donation of 1870-71 Franco-Prussian caricatures and satirical magazines to Cambridge UL”

Rich and ravenous: caricatures of the siege of Paris by the Prussians (September 1870 – January 1871)

In a previous blog post, we talked about series of caricatures held in Cambridge University Library and other collections (such as Heidelberg University Library) depicting food shortages during the 1870-1871 siege of Paris. The Parisian diet was considerably and disturbingly altered and extended during this time, as people resorted to eating rats, cats, dogs, and horses. The current lockdown, due to the COVID-19 outbreak, with obvious economic consequences, is predicted to increase social inequalities, despite government measures such as the furlough scheme or the extension of free school meals vouchers over the summer holidays. Did the siege of Paris level or increase social differences, and how were they perceived by contemporary caricaturists? Satirical prints specifically targeted the way privileged classes coped with the situation of penury and food shortages. The relative suffering of the wealthy, bourgeois or aristocrats, is treated humourously in many of the caricatures produced at the time. They stress the fact that, though they also experienced rationing, hardship and privations, certain categories of the population did manage to avoid starvation and, as restaurants were open, were still able to enjoy behaviours of their previous life.

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Heidelberg UL, vol. 2 p. 121 and 175 ; Cambridge UL, KF.3.10

In the Album du siège, Cham depicts a manservant informing his lady, reclining languidly in a chair, that her horses are ready – on the dinner table. A print of Paris assiégé shows a helpful manservant jovially reassuring his mistress, a marchioness surrounded by her domestic ménagerie (dogs, cats, fish and birds) that with such an entourage, she need not fear hunger…

Continue reading “Rich and ravenous: caricatures of the siege of Paris by the Prussians (September 1870 – January 1871)”

Eating cats and dogs during a lockdown: caricatures of besieged Paris (September 1870 – January 1871)

150 years ago, in the midst of the Franco-Prussian war and the Commune, the besieged population of Paris experienced situations of lockdown and hardship which to some extent resonate with the confinement we have been through recently. During the COVID-19 outbreak, our confinement may have altered some of our eating habits and consumption, but despite initial panic buying, UK supermarkets have still been stocked and food has been plentiful, whereas the circulation of people, goods and provisions to and from besieged Paris was completely impeded.

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Collection de caricatures et de charges pour servir à l’histoire de la guerre et de la révolution de 1870-1871. Heidelberg UL, vol. 2, p. 91 ; Cambridge UL, KF.3.10

Cambridge University Library, as well as a number of institutions and museums in the UK, France, Germany and the US, holds an important collection of caricatures of the Franco-Prussian war and the Paris Commune, (hand-coloured) lithographs, most of them produced in series. Those focusing on the first siege of Paris include “Souvenirs du siège” (30 prints) and “Paris assiégé: scènes de la vie parisienne pendant le siège” (31 prints) by Draner; the “Album du siège” (39 prints) by Cham and Daumier, and two series by Faustin: “Paris bloqué” (24 prints) and “Les femmes de Paris assiégé (idylles et épopées)” (8 prints). In the context of a research project on 1870-71 Franco-Prussian caricatures, Cambridge Digital Library has already digitised the first of the six volumes of the Cambridge prints, and Cambridge Digital Humanities has funded the photography of the remainder of the collection, due when the library reopens. In the meantime, we can refer to other digitisations of this material, in particular that of Heidelberg University Library. Continue reading “Eating cats and dogs during a lockdown: caricatures of besieged Paris (September 1870 – January 1871)”

The geneticist in Russia : the March 2020 Slavonic item of the month

March has already finished?  This blog post is late??  It is not so easy to tell at the moment…  The subject of this post, the early geneticist William Bateson (1861-1926), might have considered my disorganisation a “trait”.  What must he have thought of the avant-garde when he visited Soviet Russia?

The avant-garde at work

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Photography in the Portuguese colonies (1860-1960)

Cambridge University Library has recently acquired a copy of O império da visão: fotografia no contexto colonial português (1860-1960), a volume organised by Dr. Filipa Lowndes Vicente, researcher at the Instituto de Ciências Sociais (ICS) of the University of Lisbon.

Dr. Vicente’s interest in photography started while researching Portuguese and British colonial India. Since its development in the second half of the nineteenth century, photography became a major form of visual communication and a powerful agent of social change. Recent research has shown that the study of colonialism requires photography to illustrate written sources. In the nineteenth century, photography helped increase the visibility of the colonies abroad. Continue reading “Photography in the Portuguese colonies (1860-1960)”